Canto e Pianoforte
Composer / Author: Händel, Georg Friedrich
Title: Jephtha HWV 70 Oratorio in Three Acts
Detailed instrumentation: Soprano solo (2), Mezzo-soprano solo, Tenor solo, Alto solo, Bass solo, Mixed choir: SSATB, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Violin (3), Viola, Basses (Violoncello, Double bass, Bassoon, Harpsichord, Organ)
Librettist: Morell, Thomas
Arranger: Focke, Martin
Editor: Nott, Kenneth
Foreword / Introduction: Nott, Kenneth
Product format: Piano reduction, Urtext edition
Comments: Replaces BA 4097-90
Language(s) of work: English
Language(s) of text: English, German
Publisher/Editore: Bärenreiter
Pages / Format: XI, 287 S. - 27,0 x 19,0 cm

“Jephtha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

- Handel’s last oratorio based on the Urtext of the Halle Handel Edition
- First critical edition of this work
- Detailed foreword (Ger/Eng)
- Clear straightforward piano reduction

CONTENUTO:

• Preface

• Index of Scenes

• Index of Scenes / Verzeichnis der Szenen

• Composer / Author: Händel, Georg Friedrich
Jephtha HWV 70. Oratorio in Three Acts:
Librettist: Morell, Thomas

• Ouverture

• Act I

• Act II

• Act III

• Appendix I: Music replaced before the first
performance

• Appendix II: Music for the 1756 revival

• Appendix III: Movements without date

Disponibilità: